James Porter (1905–1970) was the first scholar to identify the African influence on visual art in the Americas, and much of what is known about the cultural legacy that African-American artists inherited from their African forebears has come to us by way of his work. ███
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Based on the passage, which ███ ██ ███ ██████████ ██ █████ █████ ████ ████ ████ ████████ ██ ███ ███████ ██████ ███ ███████ ██ ██ ███ ████ ██ ███ ██████
African-American crafts of ███ ██████████ ███ ██████████ █████████ ████ ███████ ████████████ ██ ████████ ████ ██████ ██ ███████ ████████
Is this because European crafts influenced African-American crafts? If so, this has it backwards as it shows Western influence on African-American crafts. Porter was interested in showing African influence on Western art generally.
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It's unclear whether prefigures means influenced. If we interpret prefigure as distinct from influence, then this is irrelevant. If we interpret prefigure to mean influence, then this is backwards as it's showing Western influence on African art. Either way, it’s wrong.
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This has it backwards. This example shows Western influence on African-American crafts.
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This would be evidence in support of Porter's previous book about African influence on African-American art. His new unfinished book was an attempt to explore African influence more broadly on Western art.
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This is relevant evidence in support of Porter's argument about the influence of African art on the art of the Western world generally.