Support Pieces of music consist of sounds and silences presented to the listener in a temporal order. β βββββββββ ββ βββββββββ ββ βββ βββββββββ βββ ββββ ββ β ββββ ββ βββ βββββββ βββββ ββ ββββ ββ ββββββββββ ββββ ββββ βββ ββββββββ βββ ββββ ββββββ ββ βββββ ββ ββββββ βββ βββββββββ ββββββββββ ββ βββββββββ βββββββββββ βββββββ βββ βββββββββββ ββ βββββββ βββββ βββ ββ βββββββ βββββββββ ββ ββββ βββββββ βββββ βββ β ββββββββ βββββββββ βββ βββββββ β ββββββββ βββ βββββ
The argument concludes that a difference between music and paintings is that hearing music has a temporal element but that looking at a painting has none because thereβs no specific path a viewerβs eyes must follow while looking at a painting, while music presents listeners with ordered sounds and silences.
The argument reasons that because thereβs no specific line a viewerβs eyes must follow while looking at a painting, but music pieces have a particular order, hearing music has a temporal element while viewing a painting has none. However, the argument is flawed because it concludes that paintings have no temporal element after only pointing out that there isnβt a particular order in which a viewer must look at a painting. While there may be no particular order, that doesnβt necessarily mean that paintings have no temporal dimension.
The reasoning in the argument ββ ββββββ βββββββ
the argument does βββ βββββ βββ βββ βββββββββββ ββ βββββ ββββββββ ββ ββββββββββββ β ββββββββ βββββββ βββββ βββββββββ ββ βββ βββββββ ββ ββββ
The argument doesnβt address whether viewers can lose track of time while looking at a painting.
the argument is βββββ ββ β ββββ βββββββ ββββββββββ ββ βββββ ββββ ββββ βββ βββββββββββ βββ ββββββββββββ βββββ ββββββββββ ββββββ
Distinctions between music styles are irrelevant to the argument. The argument just says that music doesnβt have a temporal dimension.
the argument fails ββ βββββ βββ βββ βββββββ ββ βββββ βββ ββββββββ ββββ βββ ββββββ ββ ββββ ββ βββββ ββ ββββββββ ββββββββββ
The argument isnβt about the similarities between music and painting. It only focuses on a possible difference.
relying on the ββββββββ ββ βββββββββ ββ ββββββββββββ βββ β ββββββββ ββ ββββββ βββββββββββ βββ βββββββββββ ββ βββ ββββββββββ ββ ββ βββββ ββ βββ βββββ ββ ββββ ββββββββββββββββ
The argument doesnβt presuppose anything. It uses the metaphor of βreadingβ to describe how a painting is viewed, but it doesnβt cite that metaphor for why music and paintings are different. It cites the lack of a particular path for viewers to follow when looking at a painting.
the absence of β ββββββββββ ββββ ββββ βββ βββ ββββ ββββββ ββββ βββ ββββββ ββββ βββ βββ βββββββ ββ ββββ
This is a possibility the argument ignores. Even if viewersβ eyes donβt follow a particular path when looking at a painting, their eyes may still follow some path, allowing the possibility that paintings have a temporal element.