The paintings of Romare Bearden (1914–1988) represent a double triumph. ██ ███ ████ ████ ████ █████████ ████ ████████ █ ████████ ██████████ ██ ██████████ ███ ██████████ ████████ ██████████ ██ ██████████ ██ ████ ███████ ██ ██████ ███████ ██ █ ██████ ███ ████ ██ ███████ ███ █████████ ██ ████████████████ ███████████
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Based on the passage, with █████ ███ ██ ███ █████████ ██████████ █████ ███████ ████ ████ ████ ██████ ██ ██████
To better highlight ███ ████████ █████████ ████████ ██ █ ████████ ██ ██████ ██████ ██████ ███████ ███ ███████████ █████████
Not supported, because we have no reason to think Bearden believes painters should choose commonplace subjects. Although Bearden himself did paint commonplace subjects, this doesn’t imply that he tinks artists generally should choose commonplace subjects.
Technical elements such ██ █████ ███ ██ ███████████ ████ ██ ██████ ██████ ██ █████████ █████████
Supported, because Bearden
A painter's use ██ █████████ ███████████ ██████ ██ ███████████ ██ █████████ ██████ ███ █████████ █████████
Not supported, because we have no reason to think Bearden considered messaging more important than technical innovation.
A painter should █████ ██ ███ ████████ ████████ ██ ████████████████ ████ ███ █████ █████████ █████████ ███ ██████████
Not supported, because Bearden did show suffering in his painting. We have no reason he would think painters should avoid showing suffering.
The techniques of ██████████ ███ ███████████ ███ █████ ███ ████████ ██████ ██ ████████ ███ ██████ ███ █████████ ██ ████████████████ █████
Not supported, because we have no reason to think Bearden had any positive opinion about techniques of journalism and photography. We’re only told that he thought some of these techniques
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