The Cultural Revolution of 1966 to 1976, initiated by Communist Party Chairman Mao Zedong in an attempt to reduce the influence of China's intellectual elite on the country's institutions, has had lasting repercussions on Chinese art. ███
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It can be inferred from ███ ███████ ████ ███ ██████ █████ ██ ████ ██████ ██ █████ ████ █████ ███ ██ ███ █████████ █████ ██ ███ ██████ ████ █████████
Its development was ███ ██████████ ███████████ ██ ███ ████ ███ ██████████ ██████████ ███████████████
“Inevitable” consequence is unsupported. Although Native Soil did start in part due to the politicization of Scar Art, we don’t know that this was “inevitable” (as in, would have happened, no matter what). Just because something did happen does not mean that it was “inevitable” that it would happen.
It failed to ████ ███ ████ ███████████ ████ ████ ███ ███ █████████
Not supported, because the author never compares the recognition of Scar Art and Native Soil.
The rural scenes ██ ████████ ████ █████████ ██ ████ ██████ ██ ██████
Not supported, because we don’t know whether “most” people in China liked the scenes in Native Soil.
Ironically, it had ███████ ███ ████████ ██ ██████ ████ █████████████ ████████ ██ ██████████ ██ █████ ██ ██████████ ██████████
Not supported, because we don’t know that there are “several” key elements in common with Maoist Revolutionary Realism. In addition, the author never indicates any irony regarding similarities between Native Soil and Maoist Revolutionary Realism. What is ironic is
Its nostalgic representation ██ █████ ████ ███ ███ █████ ██ █████ ██ █████ ██ ██████████ ██ █████████████ ████████