Artist: Avant-garde artists intend their work to challenge a society's mainstream beliefs and initiate change. ███ ████ ███ ██████████ █████ ████ ██ ███████████ ████ ████ ███████ ███████ ██ ███ ███ ████ ██ ███████████ ████████ █ █████████ ██████████ ███████ ██ ███ █████████ ████ ███ ███████████ ███████ ████ █ █████ ██████ ██ █████ ██████████ ████ ██ ███████████ ████ ███████ ███████ ██ ██ █ ████ ████ ███ ████ ██ ███ ███████████ █████ ██ ████ ███ ██████ ███ ██████████ ██ ███ ████████
Avant-garde work that becomes popular in its own time is not successful, despite what some art collectors believe. Why? When avant-garde work becomes popular, it does not fulfill the intentions of the artist. The intentions of the artists are to challenge mainstream beliefs and initiate change. However, no such change could occur in a short period of time.
The claim of some art collectors is what is being refuted. The art collectors think avant-garde work that becomes popular in its own time is successful, while the artist’s argument says no - that means the art is not successful.
The reference to the claim ██ ███████ ███ ██████████ █████ █████ ███ ██ ███ █████████ █████ ██ ███ ████████ █████████
It serves to ███████ ███ ██████████ ████ ███████████
It identifies a ████ ████ ██ ██████████ ████████ ██ ███ █████████
It identifies a ████████ █████████ ██ ███ ███████ ███████ ██ ███ █████████
It provides support ███ ███ ███████ ███████ ██ ███ █████████
It provides support ███ █ ███████████████ ██ ███ ███████ ████████