Teresa: Conclusion If their goal is to maximize profits, film studios should concentrate on producing big-budget films rather than small-budget ones. ████ ██████ ██████████ ██████ ████████████ █████ █████ ███████ ████ ██████████ █████ ████████████ █████ ███ ████ █████████ ██ ███████ ████ ██████ ███████ ████ ████ ██ ███████████████ ████ ██████████ ██████ ███ ██████████ █████ ██ ███ █████████ ███ ███████ ████████ ████████
If a film studio wants to maximize profits, they should prioritize big-budget movies over small-budget. Why? Because small-budget never attracts a big crowd, and they don’t guarantee the highest possible profits.
Teresa invokes the importance of big audiences in her support, but we don’t know how this applies to profit. We need to know that having a large audience is necessary for maximizing profit, because then small-budget movies will have failed that condition.
Which one of the following ██ ██ ██████████ ████████ ██ ████████ █████████
Each big-budget film ██ ██████████ ██ ███████ █ ████ █████████
A film studio ██████ ████ ████ ██████████ █████ ███ ████████████ ██████
A film studio ████ ███ ████████ ███ ███████ ██████ ██ █████ ████ ██ ███ █████ ███████ ████ ██████████
It is impossible ██ ███████ █ ██████████ ████ ██ █ ███████████ █████████ ███████
A film studio's ███████ ████ ██████ ██ ██ ████████ ████████