Most writings on the subject of motion pictures, including those scrutinizing the structural characteristics, aesthetic qualities, and effects of motion pictures on audiences, have traditionally been relatively abstract and have not considered what a film's audiences actually see. ██ █████ ███████ ████████ ███████ █████████ ███████ ███ ███████████ ██████ ███ ███ ██████████ ███████████ █████ ████████ ███ █████████ ██ █ ████ ████ █████████████ ███ ████████ ██████████ ██ ███
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The author distinguishes film from ██ █████ ████ █████ ███ █████ ████ ██████ ██ ███
extent of public ████████ ██ ████████████ ████████ ███ ███████████
This was not stated.
possibility of creating ████████ █████████ ██ ███ ████ ███████
susceptibility of the ███████ ██ ██████ ███████ █████████████ ███████ ███ █████
This was not stated.
degree of control ████ █ ██████ ███████ ███ ████ ███ ██████████ ██ ███ ██████ ████████████
This is implied but not as a point of distinction between film and other works of art. (D) would have been much harder to eliminate had it been implied as a point of distinction.
complexity of the ███████ ████ ██ ███████ ██████ ██████ ██ ███████
This was not stated.
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