Self-study
P1
Taking the explication of experience as its object as well as its method, Marjorie Shostak's . █████ ███ ████ ███ █████ ██ █ █████ █████ ██████ ████████ █████ █████████ ████████ ███ ██ █████ ██ ██████████ ███ ██████████████ ████████ ███ ███ ███████ ███ ███ ██████████ ███
Topic and significance ·
Shostak's "Nisa," an ethnography (cultural study) built on three narratives
Challenges the typical approach to ethnography, which is general and anonymous. Inference: "Nisa" is specific and personal.
First narrative ·
Shostak's autobiography
Ethnographic account of living with the !Kung people
Second narrative ·
Nisa's story and woman's experience
Unclear who Nisa is, but given context, likely a !Kung woman whom Shostak chose to focus on
Third narrative ·
Cross-cultural
Somehow blurs the line between ethnographer (Shostak) and subject (Nisa). Unclear what this means yet, but likely means Shostak does not play the traditional researcher's role of the impartial, objective observer.
P2
████ ████████ ██████ ███████████ ██ █████ ██ █████ ████ ████ ███ ███ ███████ ███████ ████████ ███ █████████ █ ██████ ██
Western perspective ·
on the !Kung people
General Western attitude is to idealize !Kung society
Nisa's perspective ·
on realities of !Kung life
High mortality rates, childhood conflicts
P3
█████ ████ ██████ █████████████ ███ █████████ ██ █████████ ████████ ██████████ ████ ██████ ██ ███████ ██████ ████████ ██ █████ ██ ██ ██ ██ █ █████ ███████ ████ █████ ██ ██████ ███████ █████████ █████ ██ ██ ██ ██ █ ███████ ██ █████ ██████ ███████ ██████████ ███ ████ ███ ███████ ███████████ ███ ███████ ██████████ ██ ████████ ██ ██ █ ████████ █████ ██ ███████ ███ ████ ████████████ ██████████ █████ ███ ███████████ ██ █████ █████ ██████
Author's perspective ·
on broader significance of "Nisa"
Explores women's views about women, which is rare in ethnography
P4
██████ █████ ██ ██████████ ████ █████████ ████████████ ██ █████ ██████████ ██ █████ ████ █████ ██ █████ █████████ ██ ████████ ██ ███ ██████ ██████ █████████████ ██ █ ████████ █████████ ██ █ ██████████ ██████ ███ ██ ██ ██████████ ███ ███████ ██ █ ██████████████ ███████ ██ ███████ ████ ██ ███ █████ ██ █ ███████ ███████ ███████ █
Explain third narrative strand ·
"Nisa" blends voices of Nisa and Shostak
Shostak gives narrative shape to Nisa's experiences, and so plays a part in Nisa's story
Passage Style
Single position
Spotlight
8.
Shostak's approach to ethnography differs ████ ███ ████████ ██ ████ █████████████ ██ █████ ███ ██ ███ █████████ █████
a
She observes the ███████ ██ ███ █████ ██ █████ ██ █████ ███ ████████ ███████████████ ██ ██████ ███████ ███████
The author doesn’t indicate that Shostak observes the culture of the Kung to infer cultural characteristics of other groups.
b
She studies the ████ ███████████ ██ ███████████ █████ ████ ███ ████████ █████████ ██ █ ██████
The author doesn’t indicate that Shostak studied Nisa apart from the cultural practices of the Kung.
c
She contrasts individuals' ████████ █████████ ████ ███████████ █████ ███ ████████████ ████████
The author doesn’t indicate that this aspect of Shostak’s work differs from the approach of other ethnographers. Although ethnographer’s focus on the general and the anonymous, this doesn’t imply that they don’t contrast individuals’ personal histories with information about the individuals’ culture.
d
She exemplifies her ███████ ██████████ █████ █ ███████ ██ ████████████ ████████████ █████████ █████
The author doesn’t indicate that this aspect of Shostak’s work differs from the approach of other ethnographers.
e
She emphasizes the ██████████ ██ ███ ████████ ███ ███ ███████████
The author tells us that Shostak’s work “