Given the amount of time and effort that curators, collectors, dealers, scholars, and critics spend on formulating judgments of taste in relation to oil paintings, it seems odd that so few are prepared to apply some of the same skills in exploring works of art that stimulate another sense altogether: that of smell. ███ ██ █████ ███████ ███ █████ ████ ██████████ █████ ███ █████████████ ███ ████ ███████ █████ ████ ████████ ██ ███████████ █████████████ ███ ██████ █ ████ ███ ██ ████ █ ██████████ █████████ ███ █████████ █████ █ ████ ██ ███ █████████ ███████ ██ ██████ ███ ████ ███ ███████ ███ ████ ███████████ ██ █████ █████████
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The passage provides the most ███████ ███ █████ ███ ██ ███ █████████ ██████████ █████ ████
A work of ███ ███ █████ █████ ██ █████████ ██████████ ███████ ███ ████████ ████ ██ ███████
In any work ██ ████ ███ ███ ██████ ███ ██████████ ███████████ ██ ████ █████ ███████████
Not supported, because “any” work of art is too extreme. We have no reason to think the author believes a painting or piece of music involves smell sensations.
A work of ███ ████ ██████████ ████ ██ ██ ██ ███████ ███ ███ ████ ██ ██████████ ████████
Not supported, because “inevitably fail” is too extreme. Although the author comments on the negative impact of corporate manufacture of perfumes, this doesn’t imply that individual works of art must always fail if created for commercial reasons.
The best works ██ ███ ███████ ████ ████
The author never suggests the best works of art improve with age. We have no reason to think the author believes an artwork can improve as it gets older.
Some forms of ███ ███ ████████ ██ ███████
The author never suggests one kind of art is better than another. Although the author considers perfume-making an art, just as painting/music are arts, she never indicates one kind of art is probably better than another.