Conclusion Giordano Bruno, the Renaissance philosopher, must have been a spy for England during the time he served in the French embassy there. ███████ █████ ███████ ████ ████ █ ███ ███ ██████ ██ █████ ███ █████████████ █████ ███████ █████ █████████ ██ ███████ ███ ██ █████ ██ ███ ██████ ███████ ██ ██████ ██ ████ █████ █████ ███ ███ ██ ██████████ ██ ████████████ ███████ █████ █████████ ████ ██ ██████ ████ █████████ ███████ ██ ███ ██████ ██████████ ██ ████ █████ █████ ████ ████ ████ ███ ████ █████ ███ ████ ████████ █ ██████ ██ ███ ██████ ████ ██████ ██ ███████ ████ ██ ███ ██████ ████████
The author argues that Giordano Bruno was a spy for England while he was serving in the French embassy in London. This is based on English state records stating that there was a spy at the embassy who was "the only clergyman" working there. Since Bruno had been ordained a member of the clergy before he started work there, the author concludes that Bruno was the spy.
The author makes a pretty big assumption in stating that since Bruno had been ordained "long before" starting work at the embassy, he must be the clergyman referred to in the English state documents. We don't know if Bruno was still working as a clergyman, even if he had once been ordained, and the author hasn't shown us that no other clergymen were working at the Embassy at the time.
So if we knew that Bruno was no longer a clergyman, or if there was another, perhaps more prominent, clergyman working at the embassy at the same time as Bruno (suggesting that the authors of the English state documents were mistaken, did not know about Bruno's ordination, or did not refer to Bruno a clergyman for some other reason), either of these facts would strongly weaken the author's argument.
Similarly, if we knew that Bruno was still working as a clergyman, or that there was no one else working at the French embassy at the time who had ever been ordained, either of these facts would strengthen the author's argument.
Which one of the following, ██ █████ ████████ ███ ████ ███████ ███ ███ █████████
During the Renaissance ███ █████ ██ ████ ██████ ███████ ██████ ████████ ██ █████ ███ ██████ ██ ███ ██████ ██ █████████ ██ ████████ ███ ███ ██████████ ███ ███ ██████
Several years after ███ ███████ ███████ ██████ █████ ███ █████████ ███ ███ █████████████ █████ ██ ███ █████ ███ ███ ██ ████ ████ █████████ ███████ ██ ███████ ███ ███████████ ██ ███████
Like the rest ██ ███ ██████████ █████ ██ ███ ██████ ████████ █████ ███ ██████████ ██ ████ ███████ ███████████ ██ ███ ██████ ███████████
Bruno was known ██ ███ ██████████████ ██ █ ████████ ███ ████ ██ ███ ██ █████ ██████ ██████████ ████ ███ ████ ██ ███████ ███ █████ ███████████ ███ ██ ███ ██████ ██████████ ██ ████████
The period of █████████ ██████ ██ ███ ██████ ███████ ███████████ ███████ ██ ███ ██████ ██████ ██████ █████████ ██ ███████ ████████ ███ ███ ███ ████████████ ████████████