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passage 2
P1
Best known for her work with lacquer, Eileen Gray (1878–1976) had a fascinating and multifaceted artistic career: she became a designer of ornaments, furniture, interiors, and eventually homes. ██████ ███ █████████ ███████ ████ ███████ ███████ ██ ███ ████ ██████ ███ ██████ ███████ ██ ████████ ████ ███████ ████ ████ ███████ ███████ ███
Intro topic ·
Designer Eileen Gray
Detail-oriented artist known for lacquer work
Focus topic ·
Gray's use of lacquer
Contrast between lacquer work (straight lines, simple forms) and then-popular Art Nouveau style (flowing, leafy lines)
P2
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Draw comparison ·
Lacquer work and architecture
Both require a balance between aesthetic and structural considerations. For lacquer, structural considerations require the wood to be lacquered on both sides, meaning half of the work is aesthetically hidden if only viewed from one side.
Gray's progression ·
With lacquer work
Started with works viewed only from one side; later works were viewed from multiple sides
Further progression ·
Growth into furniture design
Modern, simple, functional
P3
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Further progression ·
Growth into architecture
Call-back to Gray's balance between aesthetic and structural considerations
List examples ·
Of Gray's architectural work
Multi-use architectural features and furniture, blending of indoor and outdoor space
Passage Style
Single position
Spotlight
13.
The passage most strongly suggests ████ █████ ███ ██ ███ █████████ ██████████ ███ ████ ██ ████ ██ ███ █████
a
Traditional lacquering techniques ███ ██ ███████ ██ ██████████████ ██████████ ████ ██ █████ ███ ██████ ████ ████████████ █████████ ████████
b
The nature and █████████ ██ █ ██████████ ████████ ████████ ███ ██ █████████ ███████ ██ ███████████ ███ ███████ ██████████ ██████ ██ ███ █████████
c
Traditional ornamental techniques ████ ███ ███████ ███████ ██ █████ █████ ███ ██████████ ████████ ███ ███ ██ █████ ██████████ ████████ ██ ██████████
d
Excellent artistic effects ███ ██ ████████ ███████ ███ █████████████ ██ ████████ ███████ ████████ ████ ██████████ ██████ ████████ ██ ███████
e
The superficial visual ███████ ██ █ ██████████ █████ ███ ████ ████████ ██ ███ █████████ ████ ████ ████ ████ ██ ███ ██████ ██████ ██████████ ███████████