Self-study
P1
Best known for her work with lacquer, Eileen Gray (1878–1976) had a fascinating and multifaceted artistic career: she became a designer of ornaments, furniture, interiors, and eventually homes. ██████ ███ █████████ ███████ ████ ███████ ███████ ██ ███ ████ ██████ ███ ██████ ███████ ██ ████████ ████ ███████ ████ ████ ███████ ███████ ███
Intro topic ·
Designer Eileen Gray
Detail-oriented artist known for lacquer work
Focus topic ·
Gray's use of lacquer
Contrast between lacquer work (straight lines, simple forms) and then-popular Art Nouveau style (flowing, leafy lines)
P2
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Draw comparison ·
Lacquer work and architecture
Both require a balance between aesthetic and structural considerations. For lacquer, structural considerations require the wood to be lacquered on both sides, meaning half of the work is aesthetically hidden if only viewed from one side.
Gray's progression ·
With lacquer work
Started with works viewed only from one side; later works were viewed from multiple sides
Further progression ·
Growth into furniture design
Modern, simple, functional
P3
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Further progression ·
Growth into architecture
Call-back to Gray's balance between aesthetic and structural considerations
List examples ·
Of Gray's architectural work
Multi-use architectural features and furniture, blending of indoor and outdoor space
Passage Style
Single position
Spotlight
13.
The passage most strongly suggests ████ █████ ███ ██ ███ █████████ ██████████ ███ ████ ██ ████ ██ ███ █████
a
Traditional lacquering techniques ███ ██ ███████ ██ ██████████████ ██████████ ████ ██ █████ ███ ██████ ████ ████████████ █████████ ████████
There’s no evidence Gray used traditional lacquering techniques on steel. Although Gray used steel in her furniture, this doesn’t mean she applied lacquering techniques to the steel. Also, although the passage mentions “lacquered bricks,” it’s not clear that this refers to bricks that have been lacquered; it arguably refers to the
b
The nature and █████████ ██ █ ██████████ ████████ ████████ ███ ██ █████████ ███████ ██ ███████████ ███ ███████ ██████████ ██████ ██ ███ █████████
c
Traditional ornamental techniques ████ ███ ███████ ███████ ██ █████ █████ ███ ██████████ ████████ ███ ███ ██ █████ ██████████ ████████ ██ ██████████
There’s no evidence Gray applied traditional ornamental techniques to structural elements of buildings.
d
Excellent artistic effects ███ ██ ████████ ███████ ███ █████████████ ██ ████████ ███████ ████████ ████ ██████████ ██████ ████████ ██ ███████
There’s no evidence Gray combined austere elements with ornate elements. She preferred austere and did not like ornate. So we have no reason to think she combined them or thought excellent effects could be achieved from combining them.
e
The superficial visual ███████ ██ █ ██████████ █████ ███ ████ ████████ ██ ███ █████████ ████ ████ ████ ████ ██ ███ ██████ ██████ ██████████ ███████████
We have no evidence Gray thought the visual aspects of a building can provide evidence of the kind of materials that are used.