Support The older a country is, the more likely it is to be ruled by a monarch. βββββ βββββ ββββ βββββββββ βββ βββ βββββ ββ βββββββββ ββ β βββββββ ββ ββββββββββββ βββ ββ ββ ββββββββ βββ βββββ ββ β ββββββββ
The argument establishes a positive correlation/biconditional (the older a country is, the higher probability that itβs a monarchy and vice versa), and then establishes a set relationship (most countries are not monarchies). The author concludes that if one part of the positive correlation is not occurring (country is not old), then the other part of the correlation (monarchy) is probably not occurring either. 
The pattern of reasoning in βββ ββββββββ βββββ ββ ββββ βββββββ ββ ββββ ββ βββββ βββ ββ βββ βββββββββ ββββββββββ
Most novels are βββ ββββ ββββ βββββββ ββββββββ βββ ββββ βββββββ β βββββ βββ βββ ββββ ββββββ ββ ββ ββ ββ ββββ ββββ β ββββββ βββββ ββ β βββββ ββ βββββ ββββββββββ ββ βββ ββββββββ βββ βββββ ββ β ββββββ
Mismatched conclusion. This argument matches the stimulusβ premises, but it switches to a conclusion about the likelihood of a movie being based on a novel, whereas the premises in (A) are about the likelihood of a novel being made into a movie. The stimulusβ support discusses the likelihood of a country being a monarchy, and then continues with this relationship into the conclusionβit does not switch, but (A) does.
Most novels are βββ ββββ ββββ βββββββ ββββββββ βββ ββββ βββββββ β βββββ βββ βββ ββββ ββββββ ββ ββ ββββ βββ βββββ βββ βββββ ββ β ββββββ βββββ ββ β βββββ ββ ββββββββββββ ββββββββ ββ ββββ ββββββββ ββ ββββ ββββ β ββββββ
Mismatched premises and conclusion.
(B) switches from a premise about the likelihood of a movie being X to a premise about the likelihood of a novel being X. The stimulus remains consistent in its premises (the likelihood of a country being X).
(B) concludes that if a variable loosely involved in a positive correlation is occurring (popularity, but it should be popularity of a movie), then something else will probably occur (made into movie). The stimulus concludes that if one part in a positive correlation is not occurring, then the other part of the correlation is probably not occurring.
Most novels are βββ ββββ ββββ βββββββ βββββββββ ββ β βββββ ββ ββββββββββββ ββββββββββ ββ ββββ ββββββββ βββ ββ ββββ ββββ β ββββββ βββββ βββ ββββ βββββββ β βββββ βββ βββ ββββ ββββββ ββ ββ ββ ββ ββββ ββββ β ββββββ
Mismatched premises and conclusion. The conclusion of (C) is just a restatement of one of the premises (lower popularity, less likelihood of being a movie) in the positive form (more popularity, more likelihood of being a movie). The stimulus concludes that if something involved in a positive correlation (old age of country) is not occurring, then the other part of that correlation (monarchy) is probably not occurring.
Most novels are βββ ββββ ββββ βββββββ ββββββββ βββ ββββ βββββββ β βββββ βββ βββ ββββ ββββββ ββ ββ ββ ββ ββββ ββββ β ββββββ βββββ ββ β βββββ ββ βββββ ββββββββββ ββ ββββ ββββββββ βββ ββ ββββ ββββ β ββββββ
The argument establishes a positive correlation/biconditional (the more popular a novel is, the more likely it is to be a movie and vice versa), and establishes a set relationship (most novels are not made into movies). The author concludes that if one part of the positive correlation is not occurring (novel unpopular), then the other part of the correlation (made into movie) is probably not occurring either.

Most novels are βββ ββββ ββββ βββββββ βββββββββ βββ ββββ βββββββ β βββββββ βββββ βββ ββββ ββββββ βββ βββββ ββ ββ ββ ββββ ββββ β ββββββ βββββ ββ β βββββ βββ β ββββββββββββ ββββββ βββββ ββ ββββ ββββββββ ββ ββββ ββββ β ββββββ
Mismatched conclusion. The stimulus concludes that if something involved in a positive correlation (old age of country) is not occurring, then the other part of that correlation (monarchy) is probably not occurring. (E) employs the first part correctly (complexity is not occurring), but then concludes that the other part of the correlation probably will occur (made into movie)