Until recently, experts have been unable to identify the artist who created a Renaissance painting depicting aristocrats in a historic battle. ███ ███ ███████ ███ ████ ██████ ██ ███ █████████ ██ █ █████████████ ██ █ ██████████ ██████ ████ ████ █████ ██ ███ ███████ █████ ██ ███ ████ ████ ████ ███ ████████ ██ ███ ██████ █████ ███ ████████ ███ ██ ███ ███████ ██ ███ ██████ █████ ███████ █████████ ███ █████ ███ ██ ███ ██████████████ ██ ██ ███████ ██████████ ████ ███ ██████ ███ ███████ ███ █████████████ ████ ███████ ███ ██████ ██████
The author concludes that it’s likely the artist who painted a particular self-portrait was also the artist who painted a particular Renaissance painting depicting aristocrats in a historic battle. This conclusion is based on the fact that the self-portrait is dated to the same year that the other painting was dated, and that one of the figures depicted in the battle scene looks very similar to the person in the self-portrait.
The argument assumes that if a self-portrait is dated to the same year that another painting was dated, and one of the figures in the other painting closely resembles the person in the self-portrait, then the same artist painted both paintings. The argument also assumes that the figure that closely resembles the artist in the battle scene painting is supposed to represent the artist.
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The historic battle ████ ██ ███ ███████ ██ ███ ████████ ████ █████ █ ██████ ██ █████ ██████ ███ █████ ██ ███ ██████ ███ ███████ ███ ██████████████