Not all works of art represent something, but some do, and Support their doing so is relevant to our aesthetic experience of them; Support representation is therefore an aesthetically relevant property. ███████ █ ████ ██ ███ █████████ ████ ████████ ██ █████████ ████ ████████ ███ █████ ███ ██ █████ ████████ ███ ███████████ ███████ █████████████████ ██████████ ███ ███████ ██ ██ ███████ ██ █████ ██████ ██ ███ █████ ████████ ███ ███████████ ███████ ██ ██████ █████████ ██ ████
Our argument concludes that there are no guidelines for defining objects as art. It supports that conclusion by identifying an attribute called representation, which is present in some art and dependent upon the art’s context. The argument then says there are no guidelines for determining aspects of art that rely on context (including representation), which the argument then stretches into the conclusion that there are no guidelines for defining art.
What if determining whether or not an object has representation is not the only way to identify it as art? Our author never defined representation as a necessary aspect for art; in fact, they told us that only some art has it. They failed to exclude the possibility that other attributes are sufficient for calling something art.
The reasoning above is questionable ███████ ██ █████ ██ ███████ ███ ███████████ ████
because some works ██ ███ ███ ████████████████████ █████ ██ ██ ███ ██ ███████ ███ █████████ ██████████ ██ ████
an object may ████ ████ █████████ ██████████ ███ ███ ██ █ ████ ██ ███
aesthetically relevant properties █████ ████ ██████████████ ███ █████████ ███████ ██ ██████ ██ █ ████ ██ ███
some works of ███ ███ ████ ██████████ ████ ███ ███ ████████ ██ ███ █████████ ██████████ ██ ████
some objects that █████████ ██████ █████ ████ ██████████ ███ ███ █████ ██ ███