In spite of a shared language, Latin American poetry written in Spanish differs from Spanish poetry in many respects. ███
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Based on the passage, the ██████ ████ ██████ █████ █████ ███ ██ ███ █████████ █████ ██████ ███████ ████████ ████████████ ██ ███ ███████ ████████ █████
This relationship has ████████ ███████ █████ ██ ███████ █████ ████████ ████ ████ █ ████████ ████
Not supported, because the author never suggests that Spanish poets are critical about their own cultural past. They want to return to it, but this doesn’t imply a critical attitude toward it.
This relationship forces ███████ █████ ██ █████ █████ ████████ ████ █████ ████ ████ ██████ ███████ █████████
Not supported, because Spanish poets want to write about things connected to their own cultural past. There’s no indication that the poets feel “little” natural affinity for their own past.
This relationship is ██████ ███ ███████ █████ ██ ████ ███████ ███████
Not supported, because the author never indicates that Spanish poetry’s relationship with its own cultural past is the subject of much Spanish poetry. The desire to go back to an idealized past may influence what is written, but that doesn’t imply that the relationship between poetry and the past is itself the subject of many poems.
This relationship infuses ███████ ██████ ████ █ ███████████ ████ ██ █████████ ██ ███████ ███ ██████ ████
This relationship results ██ █████ ████ ███ ██ ██████ ████████ ██ ████████████ ███████ ████████
Not supported, because the author never indicates that contemporary (modern) Spanish readers are uninterested in Spanish poetry.