PT101.S4.P1.Q1

PrepTest 101 - Section 4 - Passage 1 - Question 1

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P1

Wherever the crime novels of P. D. James are discussed by critics, there is a tendency on the one hand to exaggerate her merits and on the other to castigate her as a genre writer who is getting above herself. ███

Intro Topic · Disagreement over James' novels
Some exaggerate her merits; others castigate her as merely a genre writer
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Author's Comment · Perhaps disagreement arises from an unnecessary tension in fiction
P2

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Supporter · Elevate James' to high literature
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Critics · Find her pretentious and tiresome
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Example of Critics · Waugh and Oakes
P3

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Author as Supporter · Good writing; convincing characters; pleasurable descriptions
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Author as Critic · Distracting; thin plot devices; misplaced interests
P4

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Author's Explanation · James feels constrained by the crime-novel genre
Recommends that James move beyond it and into the mainstream novel.
Passage Style
Critique or debate
Show answer
1.

Which one of the following ████ ██████ ███ ████████ ████ ███████████

a

Because P. D. ███████ █████████ ██ █ ██████ ██ ███████ ██ ███ ██████ ██████ ███ ██████ ████ ███ ███████ ██████ ███████ ██████████ ███████

This sums up the passage author’s support and conclusion: the way James writes suggests that the crime genre isn’t the best fit for her, so she should shift toward writing mainstream novels.

81%
b

Because the requirements ██ ███ ███████ █████ ███ ████████████ ████ ████ ████████ ███████████ ██ ██ ███████ ███████ ██ █ ███████ ██████ ███ ████ ███████████

The problem for James isn’t the requirements of the “popular” novel—the term “popular” novel isn’t even used in the passage. Rather, the problem is the requirements of the crime novel.

4%
c

The dichotomy between ███████ ███ █████████████ ██████████ ██ ████ ███████████ ██ ███ █████ ██████ ██ ██ ██ ██████

The main point isn’t just a neutral observation like (C); it’s to make a recommendation. James should move beyond the crime genre and into the mainstream novel. Also, while the passage author mentions a dichotomy between enjoyable novels and true literature, he calls it a false opposition—he doesn’t think there’s a real dichotomy at all.

9%
d

The critics who ████ █████████ ██ ██ ███████ ████ ██ █████████ ██ ███ █████████ ██ █████████ ████ ██ ████ ████ ███████ ███ █████████ ███████████ ██████

The main point isn’t just to counter the views of critics; it’s to make a recommendation. James should move beyond the crime genre and into the mainstream novel. The fact that James pays less attention to the specifics of detection than to other elements is just one way the passage author supports that recommendation. Also, the author doesn’t think her plots are one her main strengths.

2%
e

Although her plots ███ ███ ██████ ██████ █████████ ███ ██████ ██ ███ ███████████ ████████ █████████ ██ ██ ███████ ████████ ██ █████ ██ ███ ███████████ ██████

Anti-supported. The passage author argues that James’s plots and writing style justify moving away from the crime-novel genre and into mainstream novels.

4%

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