A
The number of North American Ph.D. programs in art history that opted to report data about applications for admission has declined in each of the last four years.
B
The average age of applicants for admission to North American Ph.D. programs in art history has increased in each of the last four years.
C
The number of errors in data about applications for admission to North American Ph.D. programs in art history has increased substantially during the last four years.
D
The number of North American employers willing to hire individuals without a Ph.D. for jobs in art history has increased in each of the last four years.
E
The percentage of applications for admission received from outside North America by North American Ph.D. programs in art history has declined substantially in the last four years.
A
Historically, most civilizations have succumbed to internal strife rather than external factors.
B
The social problems in Egypt’s old kingdom at the time of its collapse were serious enough to have caused the collapse.
C
At the time of the collapse of the old kingdom, several isolated but well-established civilizations near Egypt underwent sudden declines.
D
Egyptian records recovered from the time of the collapse explicitly refer to the deteriorating conditions of the society.
E
Shortly after the collapse of the old kingdom, Egypt was thrust into a civil war that lasted most of the next two centuries.
What makes the author think this?
Repressors (those who unconsciously inhibit displays of emotion) show sharp increases in heart rate in emotion-provoking situations.
Nonrepressors who consciously inhibit their display of emotion also experience sharp increases in heart rate in emotion-provoking situations.
But are there other explanations? Couldn’t the true cause of the heart rate increase by the emotion-provoking situation itself? The author is assuming that the emotion-provoking situation is not the true cause of the sharp increase in heart rate among both the repressors and nonrepressors.
A
Encountering an emotion-provoking situation is not sufficient to cause nonrepressors’ heart rates to rise sharply.
B
Nonrepressors can inhibit facial and bodily displays of emotion as well as repressors do.
C
Despite their outward calm, repressors normally feel even more excited than do nonrepressors in an emotion-provoking situation.
D
People who are ordinarily very emotional can refrain from feeling strong emotions when experimenters ask them to do so.
E
In situations that do not tend to provoke emotions, the average heart rate of repressors is the same as that of nonrepressors.
Consequently, we can’t conclude that not choosing one of the administrator’s options means that we have to choose the other one.
A
presumes, without providing justification, that more money would be saved by reducing faculty salaries than would be saved by eliminating faculty positions
B
presumes, without providing justification, that the budget cannot be reduced unless faculty positions are eliminated or faculty salaries are reduced
C
ignores the possibility that, though budget cuts will be needed, they will not need to be as high as 15 percent
D
presumes, without providing justification, that some faculty members will leave their jobs rather than accept a reduced salary
E
ignores the possibility that the budget could be reduced by eliminating some faculty positions and reducing the remaining faculty members’ salaries
A
The argument overlooks the possibility that some other bait is more successful than any of the five best-selling baits.
B
The argument overlooks the possibility that what works best for expert anglers will not work best for ordinary anglers.
C
The argument overlooks the possibility that the relative effectiveness of different baits changes when used in different locations.
D
The argument overlooks the possibility that two best-selling brands of bait may be equally effective.
E
The argument overlooks the possibility that baits that work well with a particular variety of fish may not work well with other varieties of that fish.
It has been a staple of drama to feature an innocent young protagonist, eager to make a mark on the world, who is stymied by an indifferent or hostile society. Since the playwrights of such works wished the audience to empathize with the protagonist, historians do not regard these plays as serious revelations of what the societies presented in the plays were really like.
"Surprising" Phenomenon
Drama playwrights were motivated to have audiences empathize with their protagonists when those protagonists were obstructed by society. In view of these motivations, why do historians think that such plays are non-serious, unrealistic, or unreliable portrayals of those societies?
Objective
The correct answer will support the historians’ viewpoint. It will offer some reason why a playwright’s desire to garner empathy for her protagonist would lead that playwright to portray society in a way that historians find unreliable.
A
The historians believe that playwrights tend to be more critical of their own societies than of other societies.
How critical a playwright might be of any given society says nothing about whether that playwright portrays society in a reliable way. Because (A) does not address how playwrights portray society or the reliability of those portrayals, it cannot be the right answer.
B
The historians believe that playwrights tend to exaggerate the weaknesses of a society for the sake of dramatic effect.
This explains why historians regard dramas as unreliable portrayals of a society. They believe that drama playwrights exaggerate society’s weaknesses. If society’s weaknesses are overstated, then that portrayal of society is at least somewhat less realistic or reliable.
C
The historians believe that plays tend to provide useful information about the time and society in which they were written.
This doesn’t provide a reason for historians to not regard dramas as serious revelations. If anything, this just magnifies the core question—if historians believe plays provide useful info about society, why are they so skeptical of dramas?
D
The historians believe that plays often contain serious revelations of what the societies presented in those plays were like.
This doesn’t provide a reason for historians to not regard dramas as serious revelations. If anything, this just magnifies the core question—if historians believe plays often contain serious revelations, why are they so skeptical of dramas?
E
The historians believe that only the most popular plays within a society accurately portray that society.
We don’t know how popular the types of plays discussed in the stimulus were, so (E) cannot help explain the historians’ viewpoint on those plays.
Mendez: But news stories, along with popular art, provide a wealth of information about what the people of an era thought and felt.