Wherever the crime novels of P. D. James are discussed by critics, there is a tendency on the one hand to exaggerate her merits and on the other to castigate her as a genre writer who is getting above herself. ███
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The passage suggests that both █████ ███ █████ ████████ ███████ ██████ ██ ████
too much material ████ ██ ██████████ ██ ███ ████████ ██ ███ █████
Strongly supported.
too little characterization ██ ██████ ███ ██████ ██ █████ ███ █████
Only
too few suspects ██ ████████ ████████
Unsupported. Neither raises any concerns about the suspense levels of James’s books. In fact, the suspense levels of James’s novels are never discussed in the passage. Rather, Waugh and Oakes’s concerns are about a lack of attention to solving the crime.
too simple a ████ ██ ████ ███ █████████ ██ ███ ██████
Unsupported. Their concerns with the plot aren’t about its simplicity or complexity. In fact, the complexity of James’s plots are never discussed in the passage. Rather, Waugh and Oakes’s complaint is that whatever the plot, it doesn’t give enough attention to solving the crime.
too convoluted a ████ ███ ███ ██████ ██ ██████████
Unsupported. Their concerns with the plot aren’t about its simplicity or complexity. In fact, the complexity of James’s plots is never discussed in the passage. Rather, Waugh and Oakes’s complaint is that whatever the plot, it doesn’t give enough attention to solving the crime.