If an artist receives a public subsidy to support work on a specific projectβe.g., making a filmβand if this project then proves successful enough to allow the artist to repay the subsidy, is the artist then morally obliged to do so. βββ ββββββ ββ βββββββ ββββ βββββ βββ βββββ ββββββββ ββ βββ ββββββ ββββββββββββ βββ βββββββββ ββββ ββ βββββββ ββ β ββββββ ββ βββββββ βββ βββββ βββββββ βββββββββ ββ ββββββ ββββββββββ
The author asks whether artists who receive public subsidies for a project are morally obliged to repay those subsidies if that project is sufficiently successful. He concludes that they are morally obligated, based on the premise that returning the money would provide a source of support for other deserving artists.
This argument only has one premise: the fact that other artists would be able to receive a subsidy if the successful author repaid the funds. Though the author clearly makes certain assumptions in going from this premise to the conclusion, for this question, we're just interested in examining the argument descriptively. The author establishes his conclusion about a successful artist's moral obligation to repay a subsidy by appealing to the sole premise that potential benefits will come to other artists if the successful artist repays those funds.
Analysis by ArdaschirArguelles
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