The paintings of Romare Bearden (1914–1988) represent a double triumph. ██ ███ ████ ████ ████ █████████ ████ ████████ █ ████████ ██████████ ██ ██████████ ███ ██████████ ████████ ██████████ ██ ██████████ ██ ████ ███████ ██ ██████ ███████ ██ █ ██████ ███ ████ ██ ███████ ███ █████████ ██ ████████████████ ███████████
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According to the passage, Bearden's ██████████ ████████ ██████████ ██████████
a commitment to ███████ █████████ ██ █████ █████████
The author never indicates Bearden had a “commitment” to drawing attention to human suffering. Although he did draw attention to human suffering, he also drew attention to happier experiences.
a desire to ████████ ████████ █████ ███ ██ ████████ ████████ ██ ████
The author never indicates that Bearden’s techniques show his desire to teach other painters. Although other painters can learn from Bearden’s techniques, this doesn’t imply that Bearden desired to teach them.
the ability of ███ ██ █████████ ████████ ███████ ██████
the importance of █████████ ███ ████████████ ██ ████████ ████ ███ ███████ ██ ███████████
The author never indicates that Bearden’s techniques show the importance of combining abstractions with photography. It’s not clear that Bearden viewed photography as clear. In fact, he thought certain forms of photography were
the need to █████████ ████ ███████ ████████ ████ ██████ ████████ ██ █ ████ ██ ███
The author
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