During Dostoyevsky's time there were two significant and opposing directions in Russian literary criticism. ███ ████████ ██████████ ████ ███ █████ ████ █████ ███ ███████ ███ ███ █████████ █████ ███ ███████ ████ ██████████ ████ ███ ███ █ █████ ██ █████ ████ ██ ██ █████ ███ ███████ ██ ████████ ████████ ████ ███████ ███ ████████ ██ ████ ███ ██████████ ██ ███████████ ██ ███ ████████ ██ █ ███ ████████ ███████████ ██ █████ ██████ ██████ ██ ███████ ███
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The passage suggests that Dostoyevsky's ████████ ██████ ███ ███████ ████████ ████ █████ ██ ████ ████████ ██ ███ ███████ ███████ ████ ██
draw a sharper ███████████ ███████ ███████ ███ ███████ ████ ██████████ ███ ███████ ██ █ ████████ ████
Dostoyevsky doesn’t want to draw a distinction between reality and fantasy; he believes the critics fail to realize that reality can include elements of the fantastic.
put clarity of ███████ █████ ██ ██████ ███████ ████ ██████████ █ ████████ ████
Dostoyevsky doesn’t put the purpose of a work ahead of formal literary aspects.
acknowledge the importance ██ ███████████ ████████ ██ ████████ ███████ ████ ████████ █████
Dostoyevsky doesn’t want to eliminate elements of concrete reality from literature. He was a “realist” who believed “reality was literature’s crucial source.”
recognize the full ████████████ ██ ████████ █████ ████ ██████████ ████████ █████
This is supported, because Dostoyevsky complains that the radical critics place the purpose of a work above artistic merit when evaluating a work. Dostoyevsky
explain more fully █████ ██████ ████ ███████ ██ ████████ ██ ██ ██
Dostoyevsky doesn’t complain that the radical critics fail to explain their demand that reality be depicted as it is. He complains that their conception of “reality” isn’t correct.