Critic: Linsey has been judged to be a bad songwriter simply because her lyrics typically are disjointed and subjective. ████ ████████ ██ ███ ████████ ████████ █████ ███ ████████ ██ ████ ██████ █████████ █████████ ███ ██████████ ███ ███████████ ███ ███ █████ █████████ ███ ██████ ████ ██ ██ ████ ████████
Someone has judged Linsey to be a bad songwriter because her lyrics are typically disjointed and subjective. The critic pushes back on that judgment. He points out that the writings of many modern novelists are also typically disjointed and subjective, yet those novelists are widely considered good writers.
The implicit logic is an analogy: if disjointed and subjective writing doesn't make a novelist a bad writer, then it shouldn't automatically make Linsey a bad songwriter either. The critic isn't saying Linsey is good. He's saying the reasoning used to call her bad doesn't hold up.
The conclusion is the author's assessment of the original judgment:
A common mistake is to think the conclusion must be something more dramatic, like "Linsey is a good songwriter." But the author is making a narrower claim: the reasoning behind calling Linsey bad is flawed.
Analysis by Kevin_Lin
Which one of the following ████ ██████████ █████████ ███ ██████████ █████ ██ ███ ████████ █████████
Linsey is a ████ ███████████
The view that ██████ ██ █ ███ ██████████ ██ ██████ ██████████
The writings of ████ ██████ █████████ ███ ██████████ ███ ███████████
Many modern novelists ███ ██████ ████ ██ ██ ████ ████████
Linsey's talent as █ ██████ ██ ██ ████ ████ ████ ██ ████ ██████ ██████████