If an artist receives a public subsidy to support work on a specific project—e.g., making a film—and if this project then proves successful enough to allow the artist to repay the subsidy, is the artist then morally obliged to do so. ███ ██████ ██ ███████ ████ █████ ███ █████ ████████ ██ ███ ██████ ████████████ ███ █████████ ████ ██ ███████ ██ █ ██████ ██ ███████ ███ █████ ███████ █████████ ██ ██████ ██████████
The author considers a question of whether artists who receive public subsidies should repay those subsidies and concludes that artists are morally required to do so. As evidence, the author states that returning the money would be a source of support for other artists deserving of public subsidies.
The author establishes an artists moral obligation by suggesting other artists would be able to receive the same benefit if the public subsidies were repaid.
The passage tries to establish ██ ████████ ██████████ ██ ███████ ████
this person has █████████ ████ █████ ████████ ██████ ██ ████ ████ ███ ██ ███ ████
acting this way █████ █████ ██████ ██ ██████ █ ███████ ████ ██ ███ ███ ████ ████ ██████ ███ ████████ ██ ███ ████
this person had ██ █████ ██ ██ ███████ █████ ████ █ █████ ███████ ██ ███ ████ ███
not acting this ███ █████ ██ █ █████ ███████ ██ ███ ██████ ██ ███ █████ ████ ███ █ ███████████ █████████ ██ ███ ██████ ██ ███ ████ ███
this person, by ██████ ████ ████ █████ ███████ ███████ ████████ ████ █ █████ █████████ ███ ████ ██ ███ ██████ ██ ██████ ████ ███