The poet Louise Glück has said that she feels comfortable writing within a tradition often characterized as belonging only to male poets. ███
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As it is used in ███ ████████ █
the burden that █ ████████████ ██████████████ ██████ █████ ██████ ██ █ ████████████ █████ ████
“Burden” doesn’t fit, because Gluck doesn’t view the male-dominated poetic tradition as a problem or undesirable thing to be borne. Gluck doesn’t have a negative attitude toward the male-dominated canon, but “burden” has a slightly negative connotation.
the set of ██████ █████ ███ ██████████ ██████████ ██████████ ██████ █ ██████████ ███████
“Considered acceptable” doesn’t fit, because Gluck doesn’t view the male-dominated canon as practitioners of the only set of forms and techniques that are acceptable. There might be many other acceptable forms and techniques. Gluck simply views the male-dominated canon as part of the history of English poetry and part of a linguistic tradition that she belongs to.
the poetry written ██ █ ██████████ █████████ █████ ███████████ ██████ ██ █ █████ ███ █████ █████ ███████ ██ ████ ████████
This best captures the meaning of “inheritance.” Gluck views the male-dominated canon as
the presumption that ████████████ █████ ███ █████ ████ ██ ████████ ███████ ████████ ██ ███ █████ ██ ████ ████████ ███ ███ ██████████ ██ ██ ███ ████ ██████████
Gluck wasn’t under the impression that she could write “only” about the subjects already explored. Although she chose to write about universal subjects, just as the male poets she viewed as her inheritance did, this doesn’t imply Gluck felt any limitation in subject matter in her poetry.
the imposition on █ █████ █████ ██ ███ ██████ ██ █████████ ███████████ ██ ████ █████████ ██ █ ██████████ ███████ █████
“Imposition” doesn’t fit, because Gluck doesn’t view the male-dominated poetic tradition as something that’s required or unwelcome. Gluck doesn’t have a negative attitude toward the male-dominated canon, but “imposition” has a slightly negative connotation.
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