With their recognition of Maxine Hong Kingston as a major literary figure, some critics have suggested that her works have been produced almost . ██ ███████ ██████ ████ ████ ████ █ █████ █████████ ████ ██ ██████ ████████ ███████████ ██████████ ██████ ███ ███████ ████████ ████████ ██ █████ ███ ████ ██ █████████ ███
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It can be inferred from ███ ███████ ████ ███ ██████ ████ ███ ██████ █
a literary genre ██ ████████████ ████████████
“Personally remembered stories” aren’t a genre of literature; they’re the source from which Kingston draws her stories.
a thematically organized ████████ █████████ ██ █████ ███ ████
The “personally remembered stories” that Kingston’s pulling from aren’t already thematically organized, as far as we can tell. They’re just stories that people recall, and Kingston, in line with the traditions of oral storytelling, pulls her material from those existing stories. What does she do with that material? She sifts through it and reconstructs certain elements of it according to the themes Kingston wants to explore. So the “personally remembered stories” aren’t themselves thematically organized; rather, Kingston draws certain themes out of them through her writing.
partially idiosyncratic memories ██ ██████████
This is the best description available. P3, which contains the referenced phrase, tells us that Kingston’s work is in line with oral traditions of storytelling, where the storyteller draws on people’s recollections and retellings of various stories. So when the author says Kingston draws on “personally remembered stories,” it sounds like Kingston is using idiosyncratic (i.e., individual and noteworthy) memories as the source of her material.
the retention in ██████ ██ ███████ █████████ ██ █████
Anti-supported. One style of storytelling emphasizes the precise sequences of words that make up that story. But Kingston’s approach is presented as
easily identifiable thematic ██████ ██ ██████████
By “personally remembered stories,” the author means stories that individual people can personally recall. So he’s referring to the stories themselves (not just the “thematic issues” in those stories), and those stories exist in people’s memories (not as literature).