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passage 3
P1
With their recognition of Maxine Hong Kingston as a major literary figure, some critics have suggested that her works have been produced almost . ██ ███████ ██████ ████ ████ ████ █ █████ █████████ ████ ██ ██████ ████████ ███████████ ██████████ ██████ ███ ███████ ████████ ████████ ██ █████ ███ ████ ██ █████████ ███
Critics' perspective ·
Kingston's work doesn't seem to be based on prior Chinese American influences
Author's perspective ·
Critics overlook influence of "talk-story" on Kingston's work
Talk-story is a traditional Chinese form of oral narrative
P2
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History of talk-story ·
Ancient form of storytelling in China, rarely written, brought to U.S. by Chinese immigrants
Relevance to Kingston ·
Her literary work includes written adaptations of talk-story
P3
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Kingston's method ·
Builds narratives using key elements and themes drawn from memory
Contrast this with written storytelling traditions, in which telling a story right means getting the order of words right; Kingston seems more focused on getting the broader "shape" of the story right, rather than on the specific wording
Kingston's perspective ·
on writing down traditionally oral stories
Writing them down doesn't halt the oral tradition; stories can continue to change over time
P4
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Example of Kingston's work ·
"China Men" book
Book includes many characteristics of talk-story and can be considered a written form of talk-story
Passage Style
Critique or debate
Spotlight
16.
It can be inferred from ███ ███████ ████ ███ ██████ ████ ███ ██████ █
a
a literary genre ██ ████████████ ████████████
b
a thematically organized ████████ █████████ ██ █████ ███ ████
c
partially idiosyncratic memories ██ ██████████
d
the retention in ██████ ██ ███████ █████████ ██ █████
e
easily identifiable thematic ██████ ██ ██████████