Support The best jazz singers use their voices much as horn players use their instruments. ███ █████ ██████ ███████ ███████ ██ ███ ███████ █████ ██ █ █████ █████████ ██████ ███ █████ ██ ████████ █████ ███████ ███████████ ████ ████ ███████ ███████ █████ ███████████ ██████ ██ █████████ ███ ███████████ ██████ ███ █████ ██ ██ ███████████ ██████ ██ ████ ████████ ███████ ██ █████████ █████ ███ ████████ ███████
Jazz consists largely of voicelike horns and hornlike voices. Why the claim about “voicelike horns”? Because jazz horn players mimic the sound of voices by throwing in spontaneous twists and turns, giving their horn playing a voicelike quality. And why the claim about “hornlike voices”? Because the best jazz singers use their own voices in a similar way to how horn players use their horns. As an example of this, take the singer Billie Holiday, who thought of her singing voice as a horn.
The claim referenced in the question stem is the first sentence in the stimulus. It’s a sub-conclusion that’s supported by the example of Billie Holiday, and goes on to support the second assertion made in the main conclusion: jazz consists, in part, of hornlike voices.
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