Support The best jazz singers use their voices much as horn players use their instruments. βββ βββββ ββββββ βββββββ βββββββ ββ βββ βββββββ βββββ ββ β βββββ βββββββββ ββββββ βββ βββββ ββ ββββββββ βββββ βββββββ βββββββββββ ββββ ββββ βββββββ βββββββ βββββ βββββββββββ ββββββ ββ βββββββββ βββ βββββββββββ ββββββ βββ βββββ ββ ββ βββββββββββ ββββββ ββ ββββ ββββββββ βββββββ ββ βββββββββ βββββ βββ ββββββββ βββββββ
Jazz consists largely of voicelike horns and hornlike voices. Why the claim about βvoicelike hornsβ? Because jazz horn players mimic the sound of voices by throwing in spontaneous twists and turns, giving their horn playing a voicelike quality. And why the claim about βhornlike voicesβ? Because the best jazz singers use their own voices in a similar way to how horn players use their horns. As an example of this, take the singer Billie Holiday, who thought of her singing voice as a horn.
The claim referenced in the question stem is the first sentence in the stimulus. Itβs a sub-conclusion thatβs supported by the example of Billie Holiday, and goes on to support the second assertion made in the main conclusion: jazz consists, in part, of hornlike voices.
Which one of the following ββββ ββββββββββ βββββββββ βββ ββββ ββββββ ββ βββ ββββββββ ββ βββ βββββ ββββ βββ ββββ ββββ βββββββ βββ βββββ ββββββ ββββ ββ ββββ βββββββ βββ βββββ ββββββββββββ
It is the ββββββββββ ββββ ββββββββββ βββ ββ βββββββββ ββ βββββββ ββββββββββ βββββ ββ ββββββ βββββββββ ββ β βββββββ ββββββββββ
It is the ββββββββββ ββββ βββββββββββ βββ ββββ ββ βββ βββββ ββββββββββ ββ βββ ββββββββ ββ ββββ ββ βββββββ βββ
It is a βββββββββ βββ βββββ ββββ ββββββββ ββ ββββββββ βββ βββββ ββ ββββ ββ ββββ ββ βββββββ βββββββ βββ βββ ββββββββββ ββββ βββββββββββ
It is a βββββββββ βββ βββββ ββ ββββββββ ββ ββββββββ βββ βββββ ββββββ ββ ββββ ββ βββββββ βββ ββββββββββ ββββ βββββββββββ
It is a βββββββββ ββββ ββ βββββββ β ββββββββββ ββββ ββ ββββ ββ ββββ ββ βββββββ βββ ββββββββββ ββββ βββββββββββ