"Never was anything as incoherent, shrill, chaotic and ear-splitting produced in music. ███ ████ ████████ ███████████ █████ ██ █ ██████ █████████ ████████ ███ █ ███ ████ █████ ████ ████████ ███ ████████████ ███ █████████ ████████
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The author begins with the █████ ████ ████████ █████████ ██ █████ ██
give an accurate ███████ ██ ███ █████ ██ █████████
The author wouldn’t say the account given in the quote is “accurate.” The author doesn’t think Beethoven’s music is incoherent. Rather,
give an accurate ███████ ██ ███ █████ ██ ██████████
The author wouldn’t say the account given in the quote is “accurate.” The author
suggest that even █████████ ████████ █████ ██ ██████ ███████
There’s no evidence the author believe Beethoven’s works were of uneven quality. She never expresses any negative view about any of Beethoven’s work. Although the quote shows that Kotzebue thought one of Beethoven’s pieces was bad, the author doesn’t agree with Kotzebue’s assessment.
suggest that music ████ ██ ██ █████ ████ ██ ██████████ ████ ███ ████ ██████████ █████
This best captures the purpose of the quote, although it’s probably not close to what anyone would have predicted. (D) fits because the quote is presented as the beginning of an analogy between Beethoven and Schoenberg. Both had music that was perceived as alienating at first. But, the author suggests that their music might not be perceived as alienating later, after repeated listening or after one gets used to the innovative aspect of the music.
suggest that one ██████ ███ █████████ ██ ███ ██ ████ ████ ███ ███████ ████████ █████████
The purpose of bringing up Kotzebue’s quote isn’t to make a point about critics. It’s to make a point about how Schoenberg’s and Beethoven’s music were perceived when they were first heard.