Self-study
passage 1
P1
"Never was anything as incoherent, shrill, chaotic and ear-splitting produced in music. ███ ████ ████████ ███████████ █████ ██ █ ██████ █████████ ████████ ███ █ ███ ████ █████ ████ ████████ ███ ████████████ ███ █████████ ████████
Other people's perspective ·
Strongly negative toward something music-related
Author introduces someone's perspective using a quote. Who's being quoted and what's being referred to? Need to look to the next paragraph to answer.
P2
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Draw comparison ·
Music of Schoenberg and Beethoven
Both composers' work has been negatively received, at least by some
P3
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Deepen comparison ·
Schoenberg and Beethoven were both innovative
Context on Beethoven ·
Took time to be fully appreciated
P4
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Traits of Schoenber's music ·
Combined tradition with innovation
Introduce list ·
Schoenberg's three styles
First style ·
Late-Romatic style
Comparison to Brahms
P5
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Second style ·
Nontonal harmonies
Unclear what "no tonal basis" means, but likely an unconventional move. Note Schoenberg's motivation: he believed was a necessary move for his own expression and for music in general.
P6
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Third style ·
12-tone technique
Innovation for nontonal music
Author's perspective ·
Schoenberg's music shows technical mastery and complexity
P7
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Main point ·
Schoenberg's music was first to convey certain difficult emotions
Note reference to Mozart: Schoenbern's 12-tone technique may have been influenced by Mozart
Passage Style
Single position
Spotlight
2.
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a
a comedian whose ████████ ██████ ███████ ████ ██████ █████
b
a comedian whose █████ ██████ █ █████ ██ ███████ ██ █████ ██████ ████ ██████ █████ ██████ ██ ██████
c
a comedian whose ████████ ██ ████████ █████████ ██ ████████ ███████ ████ ██████ ██ █████ █████████
d
a comedian whose ████████ █████████ ██ ███████ █████████ ██████████
e
a comedian whose █████ ██ █████ ██ ██████████ ██ ███ ████████