Can someone explain this question to me please? I totally dont get it. I dont see why superior conductors even have to exist in order for this argument to hold true. I dont really see any of the ACs as being viable.
Like, one could say that the mark of a purple dragon is having scales and a big tail...that doesnt mean that purple dragons have to exist.
I feel like D) tries to hone in on just saying that it is possible for this conditional argument to actually occur in the real world, specifically amongst top orchestras.
This was my thinking:
SC -> AI -> ER
To be a superior conductor, one must have the authority to insist that rehearsal work be intensified, and to have this authority one must earn respect of his/her interpretation
A) & B.) are just nonsense
C) I crossed off bc orchestras could sometimes not be ready. If the contrapositive of the stim. holds true, then orchestras could just never respect their conductor's interpretation and thus never [want to] be ready for intensified work. Also, work could be intensified regardless of the orchestra's readiness.
D) If orchestras sometimes dont appreciate the merits of an interpretation...then those some orchestras just wont respect their conductor and that conductor isnt superior. I dont see how this wrecks the argument since it matches up with the contrapositive /ER -> /AI -> /SC
E) I just ended up guessing this. I dont think this is necessary. It could be the case that all top orchestras are led by superior conductors. It could also be the case that some of them arent led by superior conductors.
Why does this early PT seem way harder than the later PTs ugh
I think the most important question is how are you surviving the polar vortex!!