While a new surge of critical interest in the ancient Greek poems conventionally ascribed to Homer has taken place in the last twenty years or so, it was nonspecialists rather than professional scholars who studied the poetic aspects of the Iliad and the Odyssey between, roughly, 1935 and 1970. ███
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Which one of the following ████ █████████ ███ ████████████ ██ ███ ████████
Rely on your low-res summary of the passage to help answer this question. P1 describes the renewed critical interest in the poetic aspects of Homer’s work after a period of interest in the nonpoetic aspects. P2 and P3 describe the changes in scholarly focus that have led up to the renewed critical interest.
A situation is ██████████ ███ ███ ███████ ███ █████████
This is the best answer. The situation is the renewed critical interest in the poetic aspects of Homer’s work following a period of interest in the nonpoetic aspects. The author examines what led up to this situation in P2 and P3.
A series of ██████████ ██ ████████ ███ ███ ██ ██████████
The author doesn’t present a “series of hypotheses.” We don’t get any competing hypotheses to explain the origin of the current state of Homeric scholarship.
The works of ███ ███████████ ████████ ███ ███████████
Although we might characterize Milman Parry and Adam Parry as influential scholars, this answer ignores the first paragraph, which doesn’t summarize the works of the Parrys.
Several issues contributing ██ █ ███████ ██████ ███ ███████████
It’s not clear that there is a “current debate.” The author describes the current state of Homeric scholarship, but doesn’t present the situation as one involving two sides with opposing views. Different scholars might focus on different aspects of Homer’s work, but this isn’t necessarily a debate.
Three possible solutions ██ █ █████████████ ███████ ███ ██████
The author doesn’t discuss three solutions. It’s not clear that there is even a problem to be solved. Even if you think the author believes the prior focus on nonpoetic aspects of Homer’s work was a problem, the passage describes how recent scholarship doesn’t suffer from this problem anymore. The passage doesn’t present potential solutions for this focus on nonpoetic aspects.