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The career of trumpeter Miles Davis was one of the most astonishingly productive that jazz music has ever seen. ███

Intro topic · Jazz trumpeter Miles Davis

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Author's perspective · Davis' genius is overlooked

Critics' perspective · Disliked Davis' tendency to change up his style

Davis' first stylistic change · from bebop to slower-tempo, more ensemble-focused music

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Second stylistic change · toward less restrictive chord changes, more unified and understated sound

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Third stylistic change · Electronic instrumentation, rock beats, improvisation, heavily produced in studio

Jazz purists' perspective · Negative view of Davis' heavily edited studio work

Purists believed jazz recordings should resemble live improvisation rather than be heavily reworked

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Main point · Critics' negative views stem from Davis' refusal to meet their expectations

Passage Style

Critique or debate

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This is supported in P2. In 1948, Davis’s group played with slow tempos and emphasized ensemble playing, and these traits were in direct reaction to bebop. Since the slow tempos and ensemble playing were in direct reaction to bebop, we can infer that bebop was characterized by the opposite of these traits (as in, rapid tempos and focus on solos).

79%

It equally balanced ████████ ███ ████ ████████

Unsupported. We see that one of the changes that Davis made in 1948 was to feature ensemble playing as much as solos, so this suggests that the pre-1948 style probably didn’t equally balance ensemble and solo playing.

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Unsupported. Davis’s late 1950s style was a reaction against more restrictive jazz styles; nothing in the passage indicates that the pre-1948 styles were a reaction against more restrictive styles.

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Unsupported. The passage doesn’t indicate that bebop was the only authentic jazz style according to the purist jazz critics.

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Unsupported. We know that, in 1948, Davis became a member of a group that gathered in New York City. We don’t know where the the pre-1948 style (bebop) was primarily played.

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PrepTest 104 - Section 2 - Passage 1 - Question 3

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