Muriel: I admire Favilla's novels, but she does not deserve to be considered a great writer. ███ █████ ██ █████ ██ ██████ ███ ███████████ ███ █████ ███ ███ ███ ███████ ██████ ██ ██████ ███ ██████ ███████
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Muriel concludes that Favilla isn’t a great writer. This is because Favilla’s subject matter isn’t varied enough.
John asserts that having varied subject matter isn’t a requirement for being a great writer. He proposes a different requirement - the ability to explore a particular theme deeply. John’s implicit point is that we can’t conclude that Favilla is not a great writer even if her subject matter isn’t varied.
We’re looking for a point of disagreement. The speakers disagree about whether great writers must write about subject matter with enough variety.
Which one of the following ██ █ █████ ██ █████ ███████ ██████ ███ █████
whether Favilla has ███████ █ ████ ███████ ██ ████████ ██ ███ ██████
whether Favilla should ██ ██████████ █ █████ ██████ ███████ ███ █████ ██ ███████████
whether treating a ███████ ██ ████████ ██████ ██ █ ████████████ ███ ███████ ██ ██ ██████████ █ █████ ██████
whether the number ██ ██████ ████ █ ████████ ███ ███████ ██████ ██ █ ██████ ██ ███████ ███████ ████ ████████ ██ █████
whether there are ████ █████████ ███ ███ ██████████ ██ ██ █████ ███ ██ ███ ███████ ██ ██ ██ ██████████