The paintings of Romare Bearden (1914–1988) represent a double triumph. ██ ███ ████ ████ ████ █████████ ████ ████████ █ ████████ ██████████ ██ ██████████ ███ ██████████ ████████ ██████████ ██ ██████████ ██ ████ ███████ ██ ██████ ███████ ██ █ ██████ ███ ████ ██ ███████ ███ █████████ ██ ████████████████ ███████████
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It can be inferred from ███ ███████ ████ ████████████ ███ ████████████ ███████ ██ ██████████████ ██████ █████████ ██ ███
involve innovative creative ██████████
The author never comments on the creative techniques of journalism and documentary photography. So we have no support for the belief that this photography did not involve innovative creative techniques.
reveal instances of ██████████ █████ █████████
Although typical protest painting did not reveal individual human suffering, the author never suggests that journalism and documentary photography also did not reveal individual human suffering. There’s a difference between the protest painting described in P3 and the journalistic and documentary photography mentioned in P4.
communicate the sociological ██████████ ██ ███ ██████
If anything, this is something journalism and documentary photography
depict the richness ██ ████████████████ ████
cloud the picture ██ ████████ ████
If anyting, this is something journalism and documentary photography
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