Social critic: The operas composed by Bizet and Verdi are nineteenth-century European creations, reflecting the attitudes and values in France and Italy at the end of that century. ███████ ██████ ███████ ██████ █████ ██████ ██ ███ ███████ ████ ████ █████████ ██ ███ ███████ ████ ███████████ █████ ██████ ███ ████ █ █████ ████████ ██ ████████████ █████ ██████████ ██████ █████ ███████ ████ ███ ███ ███████████ ████████ ██ █████ ██████
The conclusion isn’t explicitly stated, but it is implied.
Some studies criticize these operas on reinforcing stereotypes about women in current North American culture. The social critic points out that hardly any current North Americans have seen these operas. The implication is that the critique of these studies is wrong.
The implied conclusion is a disagreement with the studies: These operas couldn’t have had significant impact in North America on female stereotypes.
Which one of the following ████ ██████████ █████████ ███ ██████████ ████ ███ ██████ ████████ █████████ ██ ██ ██ ██████ ██████ ██ ██████████ ██ ██████████
Bizet and Verdi ███████████ ██████ ██ █████ ████ ████ █████████████ ██████████ ████████████ ████████████
Nineteenth-century French and ███████ ██████ ██ █████ ███ █████ █████████ ████ ████████████ █████ ████████ ██████ ██ ██████
The operas of █████ ███ █████ ████ ███ █████████████ ███████████ ██ █████████████ ██████ ██ █████ ██ ████████████ █████ ████████
Opera is not ██ █████████ ██████ ███████ ██████ █████████ ██ ████████████ █████ ████████
People cannot be ██████████ ██ ██████ ████ ███ ███ ████████ ███████ ███