In an experiment, researchers played a series of musical intervals—two-note sequences—to a large, diverse group of six-month-old babies. ████ █████ ████ ███ ██████ ████ █████████████ ████ █████████ ████ ███ █████████ ████ ███████ ████████ ███████ ██ ███████ ████ ██████████ █████ █████████ ███ █████████ ██ ███ ███████ ███████ ██ ████ ████████ ██████ ███ ██████ █████ ██████ ████████ ████ █ ██████████ ██████████████ ██ ███ ████ █████████ ██ █████ █████████ ████ ██ ███████
The author hypothesizes that humans likely have a biological predisposition to certain musical intervals. This is based on a study where babies paid more attention to certain intervals than others. Furthermore, these intervals are prevalent in music around the world.
In order for the study to signify a biological predisposition, the babies in the study can’t have any prior musical conditioning. Otherwise, we could conclude that the babies were simply more accustomed to those intervals and thus paid more attention.
The author must also assume that many cultures around the world weren’t influenced by some single or small group of musical systems. If they were, then the presence of certain intervals would signify cultural influence rather than biological predisposition.
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