PT120.S4.Q12 > Question

SECTION 1 · lr

Question 1 Question 2 Question 3 Question 4 Question 5 Question 6 Question 7 Question 8 Question 9 Question 10 Question 11 Question 12 Question 13 Question 14 Question 15 Question 16 Question 17 Question 18 Question 19 Question 20 Question 21 Question 22 Question 23 Question 24 Question 25 Question 26

SECTION 2 · rc

PASSAGE 1

Question 1 Question 2 Question 3 Question 4 Question 5

PASSAGE 2

Question 6 Question 7 Question 8 Question 9 Question 10 Question 11

PASSAGE 3

Question 12 Question 13 Question 14 Question 15 Question 16 Question 17 Question 18

PASSAGE 4

Question 19 Question 20 Question 21 Question 22 Question 23 Question 24 Question 25 Question 26

SECTION 3 · lr

SECTION 4 · lr

The novelist concludes that grammar books are useless as references for authors. He argues in support that sentences fall into two categories: those writers believe to be grammatical and those they believe to be ungrammatical. In either case, he claims, authors have no reason to consult a grammar book.

The novelist suggests there are only two options: being sure that a sentence is grammatical or being sure that it’s ungrammatical. This is the cookie-cutter flaw of creating a false dichotomy. What if you’re unsure whether a sentence is grammatical? Perhaps you’d find a grammar book useful in that case.

This is the cookie-cutter flaw of confusing "is" for "ought;" it’s not applicable here, because the novelist never indicates that authors should not consult grammar books.

The word "mistakenly" implies a judgment about a sentence's true grammatical status. But the novelist doesn't say anything about what sentences are truly grammatical or ungrammatical—only what authors believe to be grammatical.

The novelist’s conclusion is about the use of grammar books by authors specifically. So their use by non-authors is irrelevant.

The novelist’s conclusion is about using grammar books as reference sources—whether they have other uses is irrelevant.

This is the cookie-cutter flaw of creating a false dichotomy. The novelist commits this by overlooking a third option: instead of being certain that a sentence is grammatical or ungrammatical, one can simply be unsure.

PrepTest 120 - Section 4 - Question 12

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