PT125.S3.P2.Q12 > Analytics

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The painter Roy Lichtenstein helped to define pop art—the movement that incorporated commonplace objects and commercial-art techniques into paintings—by paraphrasing the style of comic books in his work. ███

Intro topic · Lichtenstein's pop art

Pop art = commonplace objects and commercial-art techniques in paintings. Lichtenstein brought style of comic books to this kind of art.

Impact of Lichtenstein's art · Poked fun at pretensions of art world, but transcended parody

Lichtenstein's pop art had seriousness of theme that made it more than just parody.

Lichtenstein's art as fine art · Was fine art, but didn't look like it because of their comic book elements

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Historical context · Pop art was a reaction to second generation of abstract expressionists

The standard perpsective is that pop art was a reaction to the first generation of abstract expressionists. But it was actually a reaction to the second -- whose work involved high-minded, lyrical elements.

Lichtenstein's art · Part of rebellion against fading emotions of abstract expressionism

So, Lichtenstein's art had emotional power.

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Lichtenstein's art more than parody · Impulse toward realism and depiction of contemporary life

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Contrast with some pop art · Lichtenstein's art displayed deliberate naivete about consumer culture, rather than cynicism

His art was response to overly sophisticated art of the second generation of abstract expressionists and of some other pop artists.

Passage Style

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12.

Which one of the following, ██ █████ █████ ████ █████████ ███ ████████ ████████████████ ██ █████████████

Lichtenstein frequently attended ███████████ ██ ████████ █████████████ ████████ ██ ███ ██████

This doesn’t challenge the author’s characterization, because we have no reason to think Lichtenstein wouldn’t have attended exhibitions of abstract expressionist painters. Attendance at exhibitions doesn’t imply that Lichtenstein liked the later abstract expressionists.

Lichtenstein praised a ████████████ ████████ █████████████ ██ ███ █████ ███ █████████ ██ ██████████ █████████ █████████

This doesn’t challenge the author’s characterization, because Lichtenstein didn’t like the lack of emotion in later abstract expressionists. So it would make sense for him to praise a later abstract expressionist who produced something that was unusually emotional.

19%

Lichtenstein praised an █████ ████████ █████████████ ███ █████████ █████████ ██████████

This doesn’t challenge the author’s characterization, because Lichtenstein didn’t like the lack of emotion in later abstract expressionists. So it would make sense for him to praise an earlier abstract expressionist who produced emotional paintings.

10%

Lichtenstein criticized a ███ ██████ ██ ███ █████ ███ █████████ █████████ ██████████

This challenges the author’s characterization, because Lichtenstein didn’t like the lack of emotion in later abstract expressionists. His own work was a response to this fading emotional power. So it wouldn’t make sense for him to criticize a fellow pop artist for producing emotional works.

58%

Lichtenstein criticized a ███ ██████ ██ ███ █████ ███ █████████ █████████ ████ ██ ████████

This doesn’t challenge the author’s characterization, because Lichtenstein didn’t like the lack of emotion in later abstract expressionists. So it would make sense for him to criticize a pop artist whose paintings didn’t have emotion.

PrepTest 125 - Section 3 - Passage 2 - Question 12

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