Even those who believe that the art of each age and culture has its own standards of beauty must admit that some painters are simply superior to others in the execution of their artistic visions. ███ ████ ███████████ ████ ██ ████████ ██ █████ ██ ███ ████████ █████████ █████ ███ ████ ███████ ███ ████████ ██ ████ ███ ████████ ████ ███ ███ █████████████ ████████ ██████ ███ ███ ██ ██████ ███████ ███ ████ ████ ███ █████████ ██ ███ █████████ ████████ ████ ████ ██████████
The superiority of some painters to others in executing their artistic visions should be determined in light of the artists’ purposes. For example, Jose Rey Toledo has definitively extraordinary art even though his art is is not literally representative of its subjects.
This is the claim that the conclusion tells us how to evaluate. The argument takes this as true and tells us how to measure superiority in the execution of their artistic visions: in light of their purposes.
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