PT131.S4.P3.Q21 > Analytics

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The Japanese American sculptor Isamu Noguchi (1904–1988) was an artist who intuitively asked—and responded to—deeply original questions. ██ █████ ████ ████ ██████ █ █████████ ██████ █ ████████ ██████████ ███████████ ███ ██ ███████ ██████ ██ ██████ ███ ██████████ ██████ ███ ██ ████ ██████ ████ ███ ██████████ ███████ ████████ ██ ██████████████ ████████ ███████ ██ ████ ███ ███████████ ███ ██████ ████████ ███

Intro topic · Sculptor Isamu Noguchi and his originality as an artist

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Focus topic · How one sculpture reveals Noguchi's originality

Possibly the main point, though too early to say for certain

Noguchi's early career · Won award for his sculptures, traveled to Paris, began working for sculptor Brancusi as stonecutter

Evidence of Noguchi's originality · Noticed that sculptors focus on use of shadow, rather than use of reflected light

Noguchi's plan · Create reflective sculpture of Buckminster Fuller using chrome-nickel steel

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Characteristics of reflective sculpture · Can only be properly viewed and understood when it reflects other objects

Analogy between reflective sculpture and calm water: difficult to see directly; instead, you see what's reflected

Further evidence of Noguchi's originality · After completing reflective sculpture, moved on to new things

Passage Style

Single position

Spotlight

21.

Which one of the following ██████████ █████ ███ ████████ ██ ██████ ████ ███ ███████ ████ ████████ ████████

The material that ███████ ████ ██ ██ ███ ████ ███████████ ████████████ ██ █████ █████████ ███ ███ ██ ██████ ██████████ ████ ███ ██████████ ███████████

There’s no evidence other sculptors used chrome-nickel steel.

It was similar ██ ██ █████ ████ ██ ███ ██████████ ████ ███████ ████████ █████ ██ ████ ██ ████ ██ ███████████ █ █████ █████

Supported, because we know that Noguchi made sculptures that reflected the human anatomy before 1927. And the sculpture of Fuller represented a human form.

31%

Noguchi did not █████████ █████ ██ ██ ██ ██████████ ██████████ ██ █████████████ ███ ████ ███ █████████ ██ ████████ ████████ ██ ███

There’s no evidence Noguchi did not consider his sculpture innovative or revolutionary.

It was produced ██ █ ████████ █████ ██ ██████ ███ ████ ███ ███ █████████ ████████ ██ ██ ███████ ███ █████████ ██ ██ ███ ████████

There’s no evidence Noguchi’s sculpture of Fuller was supposed to be a favor to Fuller.

It was unlike ███ ██████████ ████ ███████ ███ ██████ ████████ ██ ███████ ██ ████ ███ ████████ █████████ ███████ ███ ███ ██████ ██ █████████ ██ █████ ███ ███████

Actually, Brancusi’s sculptures did rely on contrasts of light and shadow. Although Brancusi’s sculpture didn’t rely on positive light, this doesn’t imply that they didn’t rely on contrasts of light and shadow.

56%

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PrepTest 131 - Section 4 - Passage 3 - Question 21

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PrepTest 131 - Section 4 - Passage 3 - Question 21

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