PT132.S1.P4.Q27 > Analytics

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OPA · Jewett is a "domestic novelist"

Author’s Concession · Some similarities

focus on women; domestic occupations; social interactions; men relegated to periphery

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Main Point / Critique · Major differences

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Premise · No children or childrearing

Domestic novels revolve around children which are absent in Jewett's works.

Premise · Secular worldview

Domestic novels are religious whereas Jewett's works are secular.

Author's Anticipated Rebuttal · These differences could be attributable to historical changes

Meaning that Jewett may yet be a domestic novelist.

Concession / Premise · Jewett had a difference conception of nature and fiction

The historical factor may be part of the explanation but it's not the main explanation.

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Premise · Domestic novels view fiction as part of a continuum

Fiction is connected to religious writing and domestic instruction. A novel could double as a child-rearing manual and a tract on Christian duty.

Premise · Jewett thinks of fiction as distinct

The point of fiction isn't to teach anything. It's "high-culture" and has value in and of itself.

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Historical context · Fiction became "pure art"

Fiction's value is independent of social this or teaching that. This is like our modern conception of fiction: it's valuable in and of itself as art.

Main Point / Critique · Jewett is fundamentally different from domestic novelists

Because she viewed fiction as art.

Passage Style

Critique or debate

Spotlight

27.

The differing conceptions of fiction ████ ██ ██████ ███ ███ ████████ █████████ ███ ████ ██████████ ██ █████ ██ █████████ ██ ██████ ██ █████ ███ ██ ███ █████████ ██████████

Question Type

Implied

Why does the author discuss the differing conceptions of fiction held by Jewett and the domestic novelists? The author is trying to explain why Jewett’s work doesn’t involve much content regarding child-rearing and religion. The author makes this observation about Jewett’s work at the end of P1, and describes potential explanations in P2.

Why was Jewett █████████ ██ ███████ ████████ ███ █████████ ██████ ██ ███████████ ██ ███ █████ ██ ███ ████████ █████████ ████████ ████ ██ ███████

“Unwilling” makes this wrong. We don’t know that Jewett was not willing to feature children and religious themes as much as other domestic novelists. She may have been just as willing, but chose not to make those features as prominent for artistic purposes.

19%

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The author doesn’t try to explain why Jewett focuses on rural instead of urban concerns.

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The author tries to explain why Jewett wasn’t constrained to feature children and religion as prominently as other novelists were. Jewett’s conception of fiction as pure art meant she didn’t have to try to educate readers about domestic duties or religion. Other domestic novelists, because they conceived of fiction as having the purposes of acting as a child-rearing manual and tract on Christian duty, felt constrained to include more child-rearing and religious aspects to their works.

68%

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The author doesn’t try to explain why Jewett focuses on women and their concerns.

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“Unable” makes this wrong. We don’t know that Jewett was not able to feature children and religious themes as much as other domestic novelists. She may have been just as able, but chose not to make those features as prominent for artistic purposes.

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PrepTest 132 - Section 1 - Passage 4 - Question 27

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