Art critic: The Woerner Journalism Award for criticism was given to Nan Paulsen for her reviews of automobiles. ββββ ββ ββββββββββββββ βββ βββββββββ βββββ ββββββ ββ βββββ βββ ββββββββββ βββββ βββββββββ βββββββ βββββββ ββββ ββββ βββββ ββββ ββββ βββ βββββββββββ βββββββ βββ βββββ ββ ββββ βββ βββββββ ββββ βββ βββ βββββ ββ βββ ββ βββ ββββββ βββββββββ ββββββ βββββ βββ βββββββ ββββ ββββββββ βββββ
The author concludes that Nan Paulsenβs reviews were not criticism, and she therefore should not have won the criticism award. She offers three main premises as support.
(1) In order to receive the award, a work should be a criticism.
(2) If one does not write about art, then they donβt reveal important cultural truths.
(3) Paulsen did not write about art.
This argument features a classic linking assumption between 2 premises. The author is attempting to take the contrapositive of premise one by asserting that Paulsenβs work did not reveal important cultural truths, but this leaves a gap between revealing cultural truths and whether a work is a criticism. This gives us a strong prediction:
If a work does not reveal important cultural truths, then it is not a criticism.
Which one of the following βββββββββββ ββ ββββββ ββββ βββββ ββ βββββββ βββ βββββββββ ββ βββ βββ ββββββββ βββββββββ
The Woerner Journalism βββββ βββ βββββββββ ββββββ βββ ββ βββββ ββ β ββββββ βββ ββββββββ βββββββββββ βββββββ ββ βββββ ββ ββββ
Reviews of objects ββββββ βββββββββββββ ββ ββββββββββ ββ ββ βββββββββ ββββββ βββ βββββββ ββββββ βββββββββ ββββββ βββββ βββ βββββββ ββββ ββββββββ βββββ
Unless a review ββ βββββββ βββ βββ βββββββ ββ βββββββββ βββββββββ ββββββ βββββ βββ ββββββββ ββββββββ ββββ ββββββ ββββββ βββ ββ ββββββββββ ββ ββ ββββββββββ
The Woerner Journalism βββββ βββ βββββββββ ββββββ βββ ββ βββββ ββ βββββββ βββ ββ βββ ββββββββ ββββββββββ ββ ββ ββββββββ
All writing that βββββββ βββββββββ ββββββ βββββ β βββββββ ββββββ ββ ββββββββββ ββ ββ ββββββββββ