Art historian: This painting, purportedly by Mary Cassatt, is a forgery. ████████ ███ ██████ ███ █████ █████████ ███ ██████████ ████ ████ ██ █████████ █████ ███ ███ ███████ ██████ ██ ███████ ██ ████ ██ █████████ ██████ ██████████ ███ █████ █████ ██ ████ ████████ ██ ███ █████ ██ ███ ████ █████ ██ ██ ██████████ █████ ████ ████████ ██ ██████████ ███ █ ███████ ████████
The author concludes that this painting is a forgery, and not a genuine Cassatt.
Why?
Because the brush style of the painting is not found in any work known to be Cassatt’s.
The author assumes that Cassatt could not have used a brush style in this painting that does not match a brush style found in works known to be hers. (In other words, the author assumes that in order for the painting to be genuinely Cassatt’s, it must use a brush style that’s found in one of her known works.)
The art historian's argument depends ██ ████████ █████ ███ ██ ███ ██████████
The type of ██████ ███ █████ █████████ ████ ███████ ████ ██ ████ ██ ███ ████ ████ ███████ █████████ ██ ███████
None of Cassatt's █████ ██ ███████ █████ █ █████ █████ ████ ██ ███ █████████ ██ ███ ██ ███ █████ ██████
Cassatt's work generally ███ █ ██████████████ ███████ ██████ ████ █████████████ ██ ████ ███ ████ ██ █████ ████████ ██ ███ ████
The most characteristic ███████ ██ █████████ ████ ██ ███ █████ ██████
No painter other ████ ███████ █████ ██ ████ ██ █████ █████████ █████ █████ ██████████