Subscription pricing
passage 3
P1
Most scholars of Mexican American history mark César Chávez's unionizing efforts among Mexican and Mexican American farm laborers in California as the beginning of Chicano political activism in the 1960s. ██ █████ █████████ ██████ ████ ███████ █████ ██████ █████████████ ███████████ ██ ██████████ █ █████████ ███████ ██ ██████ ██ ██ ██████ ██ ███ ███████ ██ ██████████ ██ ████ █████ ██████████ ███ ████ ████ ████ █████ ███ █████ ██ ████████████ ███████ ████████ ███ ████ ██ ███ ████ ████ ██████ ██████████ ███████ █████ █████ ███████ ██ ████████ ████ ████████ ██████ ███ ███ ███████ ██ ███ █████████ ██████ █████████ ███ █████████ ████████ ██ ████████ ██ ██████ █████████ ███ ███████ ███████ █████████ █ ████████ ████ █████ █████ ███ ████ ██ ███ ██████
Into topic ·
Teatro Campesino theater company and Chicano theater movement
Valdez, who wanted to use theater for worker activism, connected with Chávez, a union leader for Mexican farm workers, and created the Teatro Campesino
P2
██ ███ ████ ██ █████ ██████ ████████ █ █████ ██ ████████ ████ ███████ ███ █████ ████ ██ ████ █████ █████ ███████ ███████████ █ ██████ ████ ██████ ████████ ██████ ███ ██ ████████ ██ ███ ███████ ██ ███ █████ █████ ████ ███ ██████████ ██ █████ ██████ ██ ██████████ ████ ████████ ██ ███ ██████ ██████ ███ ███ ████ █████ ██ ███ ████████ █████████ ██ ██████ ███ █████ ████████ ██ ███ ███████████████ █████ ███ ████ ████████ █████ ███████████████ ██████ ██████ ███ █████ ██████ ███ ████████ ██ ████ ██ ██████ ████████ █████ ██ ████████ █████ █████ ████████ ████ ██████ ██ ███████ ███████ ████ ███ ██████████ ██████ ██ █ ███████ ███ ██ █ ██████ ██ ███ ███ █████████ ████ ███████ █████████ ██████ ███ ███████ ███████ ██ █████████████ ██████ ██ ███ ███████ ██████ ███ ████ ██████ ███ ██████████████ ████ ██ ███████ ███████ ██ ███ ██████ ███
Origins of Chicano theater movement ·
Valdez created "actos" (skits) with striking farm workers
Note the analogy drawn between farm work and theater: author references "players" in the "drama" of fieldwork
Characteristics of actos ·
Satirical, propose solutions, and inspire to action
P3
██ ███ ████ ██ ██████ ██████████ ███████ █████████████████ ███████ ██████████ ███████ ██████████ ███ ██████ ██████ ██ ██████ ██████ ████████████ ████ █████████ █████ ██ █ ██████ ██ ██ ███ ████████ ████ ████████ ███████████████ ██████ ███ ████████ ████████ ██ ███ ██████ ███ █████████ ███ ███ ████ ██ █████ ███
Three perspectives ·
Theater historians', critic's, and author's
Theater historians say Valdez invented actos; critic Broyles-González says historians are wrong and the farm workers also deserve credit; and author says Broyles-González is right
Elaborate on origin of actos ·
Likely influenced by "carpas," an earlier form of satirical theater
Main point ·
Teatro Campesino's actos were a fusion of carpas and European-style theater thanks to the combined influences of farm works and Valdez
Passage Style
Critique or debate
Spotlight
16.
The passage indicates that the █████ █████ ██ ███ ██████ █████████ ███ ███ ██████ ████ ███████ ██ ████
a
both had roots ██ ███████ ██ ███ ████████ █████████
b
both were studied ██ ███ ███ █████████ ████ ██████
c
both were initially █████████ ██ █████
d
both often involved ██████
e
both were part ██ █████ ██████████ ██████