The Frauenkirche in Dresden, a historic church destroyed by bombing in World War II, has been reconstructed to serve as a place for church services and cultural events. ███ ██████████ █████ ███ ██████████████ ████ █████████████ ████ ██ ██████ ███ ██████ ██ ███ ████████ █████ ██ ██ █ ███████ █████ ███ ███ ██████████ █████ ███ ██ ███████ ███ ██████████████████ ███████ █████ ██████████ ████████ ███ ███ ██████ ███ ███████ █████ █ ██████ ██████ ████ ██████ █ █████ ███ ███████ ██ ███ ███ ████ ████ ██ ██████████ ███ █████████
Why did the foundation that reconstructed the Frauenkirche church decide not to rebuild the original organ when they otherwise took extraordinary care to return the church to its original form?
The right answer will describe a key difference in either the process of rebuilding the modern organ and the original organ, or else the end results of the same. That difference will shed light on either a benefit of the more modern organ or a drawback of the original organ which outweighed the foundation’s desire to remain true to the original church through the reconstruction.
Which one of the following, ██ █████ █████ ████ ████ ██ ███████ ███ ██████ █████████ ██████
An eighteenth-century baroque █████ ██████ ██████████ ███████ ████ ██ ███ █████ █████ ███ ██████ ██ ██████ ████████ ███ █████████
The organ originally ████████ ███ ███ ██████ ███ ████ ████████ ████ ██████ ██████ █████
The donation for ██████████ ███ ████████ ██████████████████ ███████ █████ ███ ██████████ ███ ████ ███████ ██████
By the time ███ ██████ ███ █████████ ██ █████ ███ ███ ███ ██████████████████ ███████ █████ ███ ████ ████████ ███████ ██████
In the eighteenth ████████ ███ █████ ██████ ██ █████████ ████ ██ ██████ ████████ ██ ███ █████████████