Critic: The more a novel appeals to the general public, the more money its author will make from it. ████████ █████ ███ ███████ ████████ █████ █████ ████████ ██████ ██ ███████ ████████ ██ █████████ █████████ ██ ███ ██████ ██ ████ ██████
The author concludes that all serious novelists are NOT motivated primarily by desire to make money. This is based on the fact taht all serious novelists care about literary style.
We’re trying to conclude that serious novelists are NOT motivated primarily by desire to make money. But we don’t have any premise that establishes when someone is not motivated primarily by desire to make money. So, at a minimum, the correct answer must tell us what leads to “not motivated primarily by desire to make money.”
To go further, we can anticipate a more specific connection between the premise and conclusion. We know from the premise that serious novelists care about literary style. To make the argument valid, we want to get from “care about literary style” to “not motivated primarily by desire to make money.”
The conclusion of the critic's ████████ ███████ █████████ ██ █████ ███ ██ ███ █████████ ██ ████████
No novel written ██ █ ███████ ████████ ██ ████ ███████ ██ ███ ███████ ███████
No novelist who █████ █████ ████████ █████ ██ █████████ █████████ ██ ███ ██████ ██ ████ ██████
No novelist whose ██████ ███████ ████ ████████ █████ ██ █████████ █████████ ██ ███ ██████ ██ ████ ██████
Any novelist who ██ █████████ █████████ ██ ███ ██████ ██ ████ █████ ██████ ██████ ████ ██ ████ ██████ ██ ███ ███████ ███████
Any novel that ██ ████ ███████ ██ ███ ███████ ██████ ███ ███████ ██ █ ████████ █████████ █████████ ██ ███ ██████ ██ ████ ██████