Surrealist: Conclusion Many artists mistakenly think that models need be taken only from outside the psyche. ████████ █████ ███████████ ███ ██████ ██████ ████ ████ ███ ████ ██████ ████████ ████████ █████ ███ █████ ██ ████████ ██████████████ ██████ ██ ████████ ███ █████████ ███████ ████ █████ █████ ████ ███████ ███████ ██ ██ ██████ ██████
Artists shouldn’t exclusively model their work on objects existing outside of the psyche. Why not? Because it’s a waste to use their power solely on things that would exist regardless of the artist.
The conclusion is a rejection of the belief of some artists: “Many artists mistakenly think that models need be taken only from outside the psyche.”
Which one of the following ████ ██████████ █████████ ███ ██████████ ██ ███ ████████████ █████████
An artist's work ██████ ███ ██████ █████████ ███████ ████ ███████ ███ ███████
Artistic representation is ████ ██████ ██ ████████ ███ █████████ ████████
Artists should not ████ ███ █████ ████ ██ ████ ███████████████
Great art can ██████ ██████ ████ ████ ████ ██████ ████████ ████████
True works of ███ ██████ █████████ ███████ ████ ███████ ███ ███████