In jazz history, there have been gifted pianists who, because they had no striking musical ideas, led no memorable recording sessions. ███ █████████ ███████ ████ ██████ ████ ██████ ████ ████ ████ ██ ███████ ███████ ██ ███ █████ ██ ███████████ ███ █████████ ████████ █████ █████ ████████ ███ █████ █████ ██████ █████████ ███████ ██ ████ ██ ███ ████████ ████ ███████████
There have been some talented musicians who had no striking musical ideas and led no memorable recording sessions. However, because they lacked striking musical ideas, they were able to respond quickly to the ideas of others. This allowed those musicians to add important elements to some of the greatest jazz recordings.
In certain contexts, an apparent disadvantage can be an advantage.
Having striking musical ideas is not required to contribute to a jazz recording.
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